1. THE DINNER PARTY
THE
evening before he killed himself, Virgilio Serrano gave a dinner party. He
invited five guests—friends and classmates in university— myself included.
Since we lived on campus in barracks built by the U.S. Army, he sent his
Packard to fetch us.
Virgilio lived alone in a pre-war chalet that belonged to
his family. Four servants and a driver waited on him hand and foot. The chalet,
partly damaged, was one of the few buildings in Ermita that survived the
bombardment and street fighting to liberate Manila.
It had been skillfully restored; the broken lattices,
fretwork, shell windows and wrought iron fence had been repaired or replaced at
considerable expense. A hedge of bandera española had been planted and the
scorched frangipani and hibiscus shrubs had been pruned carefully. Thus,
Virgilio’s house was an ironic presence in the violated neighborhood.
He was on the porch when the car came to a crunching halt
on the graveled driveway. He shook our hands solemnly, then ushered us into the
living room. In the half-light, everything in the room glowed, shimmered or
shone. The old ferruginous narra floor glowed. The pier glass coruscated. The
bentwood furniture from the house in Jaen looked as if they had been burnished.
In a corner, surrounded by bookcases, a black Steinway piano sparkled like
glass.
Virgilio was immaculate in white de hilo pants and cotton shirt. I felt ill at ease in my surplus khakis and
combat boots.
We were all in our second year. Soon we will be on
different academic paths—Victor in philosophy; Zacarias in physics and
chemistry; Enrique in electrical engineering; and Apolonio, law. Virgilio and I
have both decided to make a career in English literature. Virgilio was also
enrolled in the Conservatory and in courses in the philosophy of science.
We were all in awe of Virgilio. He seemed to know
everything. He also did everything without any effort. He had not been seen studying
or cramming for an exam in any subject, be it history, anthropology or
calculus. Yet the grades that he won were only a shade off perfection.
HE and I
were from the same province where our families owned rice farms except that
ours was tiny, a hundred hectares, compared to the Serrano’s, a well-watered
hacienda that covered 2,000 hectares of land as flat as a table.
The hacienda had been parceled out to eleven inquilinos who together controlled about a thousand tenants. The Serranos had a
large stone house with a tile roof that dated back to the 17th century that
they used during the summer months. The inquilinos dealt with
Don Pepe’s spinster sister, the formidable Clara, who knew their share of the
harvest to the last chupa. She was furthermore in residence all days of the
year.
Virgilio was the only child. His mother was killed in a
motor accident when he was nine. Don Pepe never remarried. He became more and
more dependent on Clara as he devoted himself to books, music and conversation.
His house in Cabildo was a salon during the years of the Commonwealth. At
night, spirited debates on art, religion language, politics and world affairs
would last until the first light of dawn. The guests who lived in the suburbs
were served breakfasts before they drove off in their runabouts to Sta. Cruz,
Ermita or San Miguel. The others stumbled on
cobblestones on their way back to their own mansions within the cincture of
Intramuros.
In October, Quezon himself came for merienda.
He had just appointed General MacArthur field marshal of the Philippine Army
because of disturbing news from Nanking and Chosun. Quezon cursed the Americans
for not taking him in their confidence. But like most gifted politicians, he
had a preternatural sense of danger.
“The Japanese will go to war against the Americans before
this year is out, Pepe,” Quezon rasped, looking him straight in the eye.
This was the reason the Serranos prepared to move out of
Manila. As discreetly as possible, Don Pepe had all his personal things packed
and sent by train to Jaen. He stopped inviting his friends. But when the
Steinway was crated and loaded on a large truck that blocked the street
completely, the neighbors became curious. Don Pepe dissembled, saying that he
had decided to live in the province for reasons of health, “at least until
after Christmas.”
Two weeks later, he suffered a massive stroke and died. The
whole town went into mourning. His remains were interred, along with his
forebears, in the south wall of the parish church. A month later, before the
period of mourning had ended, Japanese planes bombed and strafed Clark Field.
Except for about three months in their hunting lodge in the
forests of Bongabong (to escape the rumored rapine that was expected to be
visited on the country by the yellow horde. Virgilio and Clara spent the war
years in peace and comfort in their ancestral house in Jaen.
Clara hired the best teachers for Virgilio. When food
became scare in the big towns and cities, Clara put up their families in the
granaries and bodegas of the hacienda so that they would go on tutoring Virgilio in
science, history, literature, mathematics, philosophy and English. After his
lessons, he read and practiced on the piano. He even learned to box and to
fence although he was always nauseated by the ammoniac smell of the gloves and
mask. Despite Clara’s best effort, she could not find new boxing gloves and
fencing equipment. Until she met Honesto Garcia.
Honesto Garcia was a petty trader in rice who had mastered
the intricate mechanics of the black market. He dealt in anything that could be
moved but he became rich by buying and selling commodities such as soap,
matches, cloth and quinine pills.
Garcia maintained a network of informers to help him align
supply and demand—and at the same time collect intelligence for both the
Japanese Army and the Hukbalahap.
One of his informers told him about Clara Serrano’s need
for a pair of new boxing gloves and protective gear for escrima.
He found these items. He personally drove in his amazing old car to Jaen to
present them to Clara, throwing in a French epée that was still in its original
case for good measure. He refused payment but asked to be allowed to visit.
Honesto Garcia was the son of a kasama of
the Villavicencios of Cabanatuan. By hard work and numerous acts of fealty, his
father became an inquilino. Honesto, the second of six children, however made
up his mind very early that he would break loose from farming. He reached the
seventh grade and although his father at that time had enough money to send him
to high school, he decided to apprentice himself to a Chinese rice trader in
Gapan. His wage was a few centavos a day, hardly enough for his meals, but
after two years, he knew enough about the business to ask his father for a loan
of P60 to set himself up as a rice dealer. And then the war broke out.
Honesto was handsome in a rough-hewn way. He tended to fat
but because he was tall he was an imposing figure. He was unschooled in the
social graces; he preferred to eat, squatting before a dulang, with his fingers. Despite these deficiencies, he exuded an aura of
arrogance and self-confidence.
It was this trait that attracted Clara to him. Clara had
never known strong-willed men, having grown up with effete persons like Don Pepe
and compliant men like the inquilinos who were always silent in her presence.
When Clara told Virgilio that Honesto had proposed and that
she was inclined to accept, Virgilio was not surprised. He also had grown to
like Honesto who always came with unusual gifts. Once, Honesto gave him a mynah
that Virgilio was able to teach within a few days to say “Good morning. How are
you today?”
The wedding took place in June of the second year of the
war. It was a grand affair. The church and the house were decked in flowers.
The inquilinos fell over each other to, supply the wedding feast. Carts and sleds
laden with squealing pigs, earthen water jars filled with squirming river fish,
pullets bound at the shank like posies, fragrant rice that had been husked in
wooden mortars with pestles, the freshest eggs and demijohns of carabao milk
for leche flan and slews of vegetables and fruit that had been
picked at exactly the right time descended on the big house. The wives and
daughters of the tenants cooked the food in huge vats while their menfolk
roasted the suckling pigs on spluttering coals. The quests were served on
bamboo tables spread with banana leaves. The war was forgotten, a rondalla played the whole day, the children fought each other for the bladders
of the pigs which they blew up into balloons and for the ears and tails of the lechon as
they were lifted on their spits from the fire.
The bride wore the traje de boda of Virgilio’s mother, a masterpiece confected in
Madrid of Belgian lace and seed pearls. The prettiest daughters of the inquilinos, dressed in organza and ribbons, held the long, embroidered train of
the wedding gown.
Honesto’s family were awe-struck by this display of wealth
and power. They cringed and cowered in the sala of the big house and all of them were too frightened
to go to the comedor for the wedding lunch.
Not very long after the wedding, Honesto was running the
hacienda. The inquilinos found him more congenial and understanding. At this time, the Huks
were already making demands on them for food and other necessities. The fall in
the Serrano share would have been impossible to explain to Clara. In fact, the
Huks had established themselves on Carlos Valdefuerza’s parcel because his male
children had joined the guerilla group.
Honesto learned for the first time that the Huks were
primarily a political and not a resistance organization. They were spreading a
foreign idea called scientific socialism that predicted the takeover of all
lands by the workers. Ricardo Valdefuerza, who had taken instruction from Luis
Taruc, was holding classes for the children of the other tenants.
Honesto was alarmed enough to take it up with Clara who
merely shrugged him off. “How can illiterate farmers understand a complex idea
like scientific socialism?” she asked.
“But they seem to understand it,” Honesto expostulated
“because it promises to give them the land that they farm.”
“How is that possible? Quezon and the Americans will not
allow it. They don’t have the Torrens Title,” Clara said with finality.
“Carding Valdefuerza has been saying that all value comes
from work. What we get as our share is surplus that we do not deserve because
we did nothing to it. It rightly belongs to the workers, according to him. I
myself don’t understand this idea too clearly but that is how it is being
explained to the tenants.”
“They are idle now. After the war, all this talk will
vanish,” Clara said.
When American troops landed in Leyte, Clara was four months
with child.
THE
table had been cleared. Little glasses of a pale sweetish wine were passed
around. Victor pushed back his chair to slouch.
“The war has given us the opportunity to change this
country. The feudal order is being challenged all over the world. Mao Tse Tung
has triumphed in China. Soon the revolution will be here. We have to help
prepare the people for it.” Victor declared.
“Why change?” Virgilio asked. “The pre-war order had
brought prosperity and democracy. What you call feudalism is necessary to
rebuild the country. Who will lead? The Huks? The young turks of the Liberal
Party? All they have are ideas; they have no capital, no power.”
The university was alive with talk of imminent
revolutionary change. Young men and women, most of them from the upper classes,
spoke earnestly of redistributing wealth.
“Nothing will come of it” Virgilio said, sipping his wine.
“Of all of us, you have the most to lose in a revolution,”
Apolonio said. “What we should aim for is orderly lawful change. You might lose
your hacienda but you must be paid for it. So in the end, you will still have
the capital to live on in style.”
“You don’t understand,” Virgilio said. “It is not only a
question of capital or compensation. I am talking of a way of life, of
emotional bonds, of relationships that are immutable. In any case, we can do
nothing one way or the other so let us change the subject.”
“Don’t be too sure,” I said. “We can influence these events
one way or another.”
“You talk as it you have joined the Communist Party,”
Virgilio said. “Have you?”
But before I could answer, he was off on another tack.
“You know I have just been reading about black holes,”
Virgilio said addressing himself to Zacarias. “Oppenheimer and Snyder solved
Einstein’s equations on what happens when a sun or star had used up its supply
of nuclear energy. The star collapses gravitationally, disappears from view and
remains in a state of permanent free fall, collapsing endlessly inward into a
gravitational pit without end.
“What a marvelous idea! Such ideas are art in the highest
sense but at the same time, the decisive proof of relativity,” Virgilio
enthused.
“Do you know that Einstein is embarrassed by these black
holes? He considers them a diversion from his search for a unified theory,”
Zacarias said.
“Ah! The impulse towards simplicity, towards reduction. The
need to explain all knowledge with a few, elegant equations. Don’t you think
that his reductionism is the ultimate arrogance? Even if it is Einstein’s. In
any case, he is not succeeding,” Virgilio said.
“But isn’t reductionism the human tendency? This is what
Communism is all about, the reduction of human relationships to a set of
unproven economic theorems,” I interjected.
“But the reductionist approach can also lead to astounding
results. Take the Schröedinger and Dirac equations that reduced previous
mysterious atomic physics to elegant order,” Enrique said.
“What is missing in all this is the effect on men of
reductionism. It can very well lead to totalitarian control in the name of
progress and social order,” Apolonio ventured.
“Let me resolve our debate by playing for you a piece that
builds intuitively on three seemingly separate movements. This is Beethoven’s
Sonata, Opus 27, No. 2.” Virgilio rose and walked gravely to the piano while we
distributed ourselves on the bentwood furniture in the living room.
He played the opening Adagio with sensitive authority,
escalating note to note until it resolved into the fragile D-flat major which
in turn disappeared in the powerful rush of the concluding Presto, the movement
that crystallized the disparate emotional resonances of the first two movements
into an assured and balanced relationship.
When the last note had faded, we broke into cheers. But at
that moment, I felt a deep sadness for Virgilio. As the Presto flooded the
Allegretto, I knew that he was not of this world.
Outside, through the shell windows, moonlight softened the
jagged ruins of battle.
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